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Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991

Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991

Hammer Price w/ BP

$61,200

Lot #: 6
Four Donald Judd (American, 1928-1994) Untitled [Earth Green Vertical], 1991

Four woodcuts printed in oxide of chromium on Mitsumata Japanese laid paper. Edition 5 of 25.

26 1/2 x 38 1/2 in.
Provenance
Brooke Alexander, New York.
The Estate of Charles E. Balbach, Orchard Park, New York.
Condition
Excellent overall condition. They are all properly tabbed and mounted. No sign of tears, repairs, or abrasions.
Auction Date
Nov 21, 2024

Details:

Donald Judd (American, 1928-1994)
Donald Clarence Judd was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.
He is generally considered the leading international exponent of "minimalism," and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three-dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities.”

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