20 June
2006
Dear Mr
Cottone
In my
opinion (as far as I can tell from a photograph -and your scans are very
good indeed) this is a painting by James McNeill Whistler entitled �Violet
and Blue: Among the Rollers�. The history is as follows:
Violet and Blue: Among the Rollers
This oil
was painted in Brittany, probably in September 1893. The butterfly
signature and technique confirm this date.
The artist wrote to his picture restorer, Stephen
Richards, that he had 'painted the panel out in the full sea- and some
of the spray got upon it- and the salt made it a very long time in
drying- and the last time I examined it- some two or three months ago,
the surface seemed to me still sticky-'[1]
[2]Thomson
decided to try to sell it in Glasgow, and according to the Glasgow
Herald, 'a small seascape, the deep blue-green water holding patches
of white foam' was exhibited in Wellington Street Studios in Glasgow in
1893 by Boussod, Valadon & Cie. (associated with the Goupil Gallery,
I.ondon; catalogue untraced).[3]
It was not sold, and according to the St James's Gazette (6 Dec.
1893), 'a fine sea-piece . . . one of his earlier period . . . a panel
painting of cabinet size, a stormy sea of deep (lapis-lazuli) blue, full
of clever work and of beautiful colour' was on exhibition at the Goupil
Gallery in London; on 11 December the firm repeated Whistler�s
statement, that the 'sea-piece' had been 'painted in Brittany a few
weeks ago' (St James's Gazette, 12 Dec. 1893).
The identity of the painting is confirmed by the fragment of
press-cutting from the St James�s Gazette that is attached to the
back board of the painting, and by Whistler�s Paris address of 110 rue
du bac, which is written on the board.
In January 1894 Whistler wrote to Stephen Richards, asking him to
collect the painting from the Grafton Galleries, 'Bring it home and if
you think it dry enough, give it a rapid and even coat of varnish - for
I know it would be much more brilliant with it '.[4]
It was exhibited at the Grafton Galleries, London, in 1894 as 'Violet
and Blue - Among the Rollers'.[5]
It was then exhibited in Paris, at the Salon of the Societ� Nationale in
1894 (cat. no. 1183).
Whistler offered it to E. G. Kennedy, New York dealer, describing it as
'a smaller panel, and a beauty' at 250 guineas.[6]
On 22 September 1894 he informed Kennedy
that 'The third sea piece has sold - You remember the little one, "Among
the Rollers" on panel that hung in the Champs de Mars � It is bought for
�210'[7].
He does not give the owner�s name.
It was probably also the oil painting lent by Mrs Martin Brimmer to the
Whistler Memorial exhibition in Boston 1904 (cat. no. 13) as 'Study of
the Sea from a boat', and described, probably incorrectly, as on canvas.
This was later 'on loan in Boston Museum' in 1904, according to C. L.
Freer's annotated copy of the 1904 Boston Memorial Exhibition catalogue[8].
A photographic detail of one of the walls of the Boston exhibition of
1904 shows this to have been a small horizontal seascape.
[9]
Unfortunately, the definition of the photograph is not sufficient to
identify the picture. In a catalogue of the 1904 Boston exhibition,
originally owned by Frank Gair Macomber and now in the Boston Public
Library, the title is given as 'The Sea', the size is given as 19.0 x
28.0 (7 � x 11 inches), and it is described as 'Dark green sea with gray
& blue sky' and valued at $2500.
Mrs Brimmer, the owner of the painting exhibited in 1904, died in 1905.
Her husband, Martin Brimmer (1829-96), was one of the first trustees of
the Museum of Fine Arts, Boston, and was its president from 1870 to
1895. Part of their collection was bequeathed to the Museum, and the
rest of her estate was distributed among a number of indirect heirs.
According to her executors, Welch & Forbes of Boston, who were trustees
of her estate, a 'Small marine by Whistler' was listed among 'Articles
borrowed by the Museum from other heirs' of Mrs Brimmer. The list is
undated. However, it appears that this painting stayed in Massachusetts,
and I think that it is �Violet and Blue: Among the Rollers�
2.
Violet and Blue: Among the Rollers� cont.
Lit:
Glasgow Herald, 9 Nov. 1893; St James's Gazette, 6 Dec.
1893, p. 12, 12 Dec. 1893, p. 4; Anon, �The Grafton Gallery Collection,
Art Journal, March 1894, p. 89; Gustave Geffroy, �Whistler� in
�Salon de 1894�, Vie Artistique, IV, 1895, pp. 140-1; Arthur J.
Eddy, Recollections and Impressions of James McNeill Whistler,
Philadelphia and London, 1903, pp. 274-5; A. E. Gallatin, Whistler�s
Art Dicta and other essays, Boston, 1904, f.p. 1; A. McL. Young, M.F.
MacDonald, R. Spencer and H. Miles, The Paintings of James McNeill
Whistler, London 1960, cat. nos. 413 and 517.
The Art Journal described the three sea-pieces exhibited at the
Grafton Galleries in 1894 incorrectly as having been painted the
previous autumn on the coast of Normandy, and praised No. 413, 'the
colour... being a veritable tour de force'. Geffroy was probably
correct in saying all three (which he saw in Paris) were painted in the
summer on the coast of Brittany (see No. 411) and he described all three
as paintings of ships in high seas, under a cloudy sky.
Yours
sincerely
Margaret F. MacDonald
Professor of Art History
Department of History of Art,
8 University Gardens
University of Glasgow
Glasgow G12 8
[1]
See The Correspondence of James McNeill Whistler, 1855-1903,
edited by Margaret F. MacDonald, Patricia de Montfort and Nigel
Thorp; On-line edition, Centre for Whistler Studies, University of
Glasgow, 2003-2006 at www.whistler.arts.gla.ac.uk/correspondence
[hereafter referred to as GUW]. Whistler to Stevens, [16 Jan. 1894],
Glasgow University Library, MS Whistler LB 17/11, GUW 02903).
[2]
Whistler to Thomson, 16, 30 Oct. & [10 Dec.] 1893, Library of
Congress, Manuscript Division, Pennell-Whistler Collection; GUW
08249, 08245, 08287.
[3]
Glasgow
Herald, 9
Nov. 1893.
[4]
[16 January 1894], Glasgow University Library, MS Whistler LB 17/11;
GUW 02903.
[5]
London, Grafton Galleries, Fair Women, 1894 (cat. no. 70).
[6]
Whistler to E. G. Kennedy, 8 January and 1 March 1894, New York
Public Library, Kennedy papers, I/46; Glasgow University Library, MS
Whistler W1220; GUW 07232, 09713.
[7]
22 July 1894, New York Public Library,
Kennedy papers, vol.I/51; GUW 09718).
[8]
Freer Gallery of Art, Washington DC, Archives.
[9]
Photograph in Glasgow University Library, Special Collections.
|